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www.amperspective.com Online Magazine

Executive Editor: Abdus Sattar Ghazali

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New York Times - August 12, 2004

Film on Crusades could become
 Hollywood's next battleground

By SHARON WAXMAN

LOS ANGELES, Aug. 11 - With bloody images of Muslims and Westerners battling in Iraq and elsewhere on the nightly news, it may seem like odd timing to unveil a big-budget Hollywood epic depicting the ferocious fight between Christians and Muslims over Jerusalem in the Crusade of the 12th century.

But 20th Century Fox is planning a release next year for "Kingdom of Heaven," a $130 million production by the Oscar-nominated director Ridley Scott, shot in Morocco with hundreds of extras, horses and elaborate costumes. The script, by William Monahan, is based on real characters of the three-century Crusades, including Balian of Ibelin, a Crusader knight who led the defense of Jerusalem in 1187, and the Muslim leader Saladin, who defeated him.

While the studio has tried to emphasize the romance and thrilling action, some religious scholars and interfaith activists who were provided a copy of the script by The New York Times questioned the wisdom of a big Hollywood movie about an ancient religious conflict when many people believe those conflicts have been reignited in a modern context.

"My real concern would be just the concept of a movie about the Crusades, and what that means in the American discourse today," said Laila al-Qatami, a spokeswoman for the American-Arab Anti-Discrimination Committee in Washington. She added: "I feel like there's a lot of rhetoric, a lot of words flying around, with prominent figures talking about Islam being incompatible with Christianity and American values. This kind of movie might reinforce that theme in the discourse." Not all of the people contacted by The Times were worried about the film's effect.

The Rev. George Dennis, a Jesuit priest and a history professor at Loyola Marymount University in Los Angeles, who was one of five experts provided with the script for "Kingdom of Heaven," said he was impressed by its nuance and accuracy. "Historically I found it pretty accurate," he said. "I can't think of any objections from the Christian side. And I don't think Muslims should have any objections. There's nothing offensive to anyone in there, I don't think."

But Khaled Abu el-Fadl, a professor at the University of California, Los Angeles, who studies Islamic law, vehemently disagreed, calling the screenplay offensive and a replay of historic Hollywood stereotypes of Arabs and Muslims. "I believe this movie teaches people to hate Muslims," he said. "There is a stereotype of the Muslim as constantly stupid, retarded, backward, unable to think in complex forms. It's really annoying at an intellectual level, and it really misrepresents history on many levels."

Mr. Fadl argued that the movie would reinforce negative attitudes toward Muslims in America. "In this climate how are people going to react to these images of Muslims attacking churches and tearing down the cross and mocking it?" he asked.

Aside from the movie's specifics, the subject is a fraught one. Even the word "crusade" remains loaded. When President Bush initially called the war on terror a "crusade" after the 9/11 attacks, he was criticized by some for using a term that has long had anti-Muslim overtones. Meanwhile some Islamic experts who analyzed Osama bin Laden's motives after 9/11 suggested that he was trying to cast himself as a modern-day Saladin. And Saladin's name was invoked by Saddam Hussein's government to rally Muslims against the American-led invasion of Iraq.

Mr. Scott said he was not concerned about disturbing the sensitivities of any religious group. The film "sounds like a Boy Scout ethic," he said in an interview last week, adding: "It talks about using your heart and your head, being ethical. How can you argue with that? There's no stomping on the Koran, none of that." ……

http://www.nytimes.com/2004/08/12/movies/12crus.html
 

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